Camille Billops (born 12 August 1933, Los Angeles) is an African-American sculptor, filmmaker, archivist, and printmaker.
Contents
[hide]Early life and education[edit]
Billops was born in Los Angeles on 12 August 1933.[1] Her parents, Alma Gilmore and Lucius Billops, worked "in service" for a Beverly Hills family, enabling them to provide her with a private secondary education.[2]
Billops graduated in 1960 from Los Angeles State College, where she majored in education for physically handicapped children. She obtained her B.A. degree from California State University and her M.F.A. degree from City College of New York in 1975.[1]
Work[edit]
Visual art[edit]
Billops’s primary visual art medium is sculpture and her works are in the permanent collections of the Jersey City Museum and the Museum of Drawers, Bern, Switzerland. Billops has exhibited in one-woman and group exhibitions worldwide including: Gallerie Akhenaton, Cairo, Egypt; Hamburg, Germany; Kaohsiung, Taiwan; Gimpel and Weitzenhoffer Gallery, and El Museo de Arte Moderno La Tertulia, Cali, Colombia. She was a long time friend and colleague of master printmaker Robert Blackburn, whom she assisted in establishing the first printmaking workshop in Asilah in 1978.[1]
Film[edit]
In 1982, Billops began her filmmaking career with Suzanne, Suzanne. She followed this by directing five more films, including Finding Christa in 1991, a highly autobiographical work that garnered the Grand Jury Prize for documentaries at the 1992 Sundance Film Festival. Finding Christa has also been aired as part of the Public Broadcasting Service’s P.O.V. television series. Her other film credits include Older Women and Love in 1987, The KKK Boutique Ain’t Just Rednecks in 1994, Take Your Bags in 1998, and A String of Pearls in 2002. Billops produced all of her films with her husband and their film company, Mom and Pop Productions.[1]
Billops's film projects have been collaborations with, and stories about, members of her family. For instance, they were co-produced with her husband James Hatch and credit Hatch's son as director of photography.Suzanne, Suzanne studies the relationship between Billop's sister Billie and Billie's daughter Suzanne. Finding Christa deals with Billops's daughter whom she gave up for adoption.[3] Older Women and Love is based on a love affair of Billops's aunt.[4]
Hatch-Billops Collection[edit]
In 1961 the seeds of Hatch-Billops Collection were sown when Billops met James Hatch, a professor of theater at UCLA, through Billops's stepsister, Josie Mae Dotson, who was Hatch's student. A 40-year artistic collaboration followed.[5] The Hatch-Billops Collection is an archive of African American memorabilia including thousands of books and other printed materials, more than 1,200 interviews, and scripts of nearly 1,000 plays.[6] Once housed in a 120-foot-long (37 m) loft in lower Manhattan, the Collection is now largely located at the Camille Billops and James V. Hatch archives at Emory University.
Hatch and Billops also hosted a salon in their Manhattan loft, which led to the publication of Artist and Influence, an annual journal featuring interviews with noted American "marginalized artists" across a wide range of genres.[7] To date, more than three hundred interviews have been recorded.[8]
Collaborative work[edit]
Billops collaborated with photographer James Van Der Zee and poet, scholar, and playwright Owen Dodson on The Harlem Book of the Dead, which was published in 1978 with an introduction by Toni Morrison.[9]
Personal life[edit]
As of 2006, Billops lives in New York City with her husband.[1]\
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Camille Billops (b. August 12, 1933, Los Angeles, California), an African American sculptor, filmmaker, archivist, and printmaker.
Billops was born in Los Angeles on August 12, 1933. Her parents, Alma Gilmore and Lucius Billops, worked "in service" for a Beverly Hills family, enabling them to provide her with a private secondary education.
Billops graduated in 1960 from Los Angeles State College, where she majored in education for physically handicapped children. She obtained her B.A. degree from California State University and her M.F.A. degree from City College of New York in 1975.
Billops’s primary visual art medium is sculpture and her works are in the permanent collections of the Jersey City Museum and the Museum of Drawers, Bern, Switzerland. Billops has exhibited in one-woman and group exhibitions worldwide including: Gallerie Akhenaton, Cairo, Egypt; Hamburg, Germany; Kaohsiung, Taiwan; Gimpel and Weitzenhoffer Gallery, and El Museo de Arte Moderno La Tertulia, Cali, Colombia.
In 1982, Billops began her filmmaking career with Suzanne, Suzanne. She followed this by directing five more films, including Finding Christa in 1991, a highly autobiographical work that garnered the Grand Jury Prize for documentaries at the 1992 Sundance Film Festival. Finding Christa has also been aired as part of the Public Broadcasting Service's P. O. V. television series. Her other film credits include Older Women and Love in 1987, The KKK Boutique Ain’t Just Rednecks in 1994, Take Your Bags in 1998, and A String of Pearls in 2002. Billops produced all of her films with her husband and their film company, Mom and Pop Productions.
Billops's film projects have been collaborations with, and stories about, members of her family. For instance, they were co-produced with her husband James Hatch and credit Hatch's son as director of photography.Suzanne, Suzanne studies the relationship between Billop's sister Billie and Billie's daughter Suzanne. Finding Christa deals with Billops's daughter whom she gave up for adoption. Older Women and Love is based on a love affair of Billops's aunt.
In 1961 the seeds of Hatch-Billops Collection were sown when Billops met James Hatch, a professor of theater at UCLA, through Billops's stepsister, Josie Mae Dotson, who was Hatch's student. A 40-year artistic collaboration followed. The Hatch-Billops Collection is an archive of African American memorabilia including thousands of books and other printed materials, more than 1,200 interviews, and scripts of nearly 1,000 plays. Once housed in a 120-foot-long (37 m) loft in lower Manhattan, the Collection is now largely located at the Camille Billops and James V. Hatch archives at Emory University.
Hatch and Billops also hosted a salon in their Manhattan loft, which led to the publication of Artist and Influence, an annual journal featuring interviews with noted American "marginalized artists" across a wide range of genres.
Billops collaborated with photographer James Van Der Zee and poet, scholar, and playwright Owen Dodson on The Harle Book of the Dead, which was published in 1978 with an introduction by Toni Morrison.
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