Muhal Richard Abrams (born September 19, 1930, in Chicago, Illinois)[1] is an American educator, administrator, composer, arranger, clarinetist, cellist, and jazz pianistin the free jazz medium.
Contents
[hide]Biography[edit]
Early life[edit]
Abrams attended DuSable High School in Chicago. By 1946, he enrolled in music classes at Roosevelt University, but "I didn't get too much out of that, because it wasn't what I was hearing in the street".[2] He then decided to study independently: "I've always had a natural ability to study and analyze things. I used that ability, not even knowing what it was (it was just a feeling) and started to read books."[2] The books of Joseph Schillinger were very influential in Abrams' development.[citation needed] In Abrams' words:
Abrams' first gigs were playing the blues, R&B, and hard bop circuit in Chicago and working as a sideman with everyone from Dexter Gordon and Max Roach to Ruth Brown and Woody Shaw. In 1950 he began writing arrangements for the King Fleming Band, and in 1955 played in the hard-bop band Modern Jazz Two + Three, with tenor saxophonist Eddie Harris.[3] After this group folded he kept a low profile until he organized the Experimental Band in 1962, a contrast to his earlier hard bop venture in its use of free jazz concepts. This band, with its fluctuating lineup, evolved into the Association for the Advancement of Creative Musicians (AACM), emerging in May 1965 with Abrams as its president. Rather than playing in smoky night clubs, AACM members often rented out theatres and lofts where they could perform for attentive and open-minded audiences. The album Levels and Degrees of Light (1967) was the landmark first recording under Abrams' leadership. On this set, Abrams was joined by the saxophonists Anthony Braxton, Maurice McIntyre, vibraphonist Gordon Emmanuel, violinist Leroy Jenkins, bassist Leonard Jones and vocalist Penelope Taylor. Abrams also played with saxophonists Eddie Harris, Gordon, and other more bop-oriented musicians during this era.
Loft jazz era[edit]
Abrams moved to New York permanently in 1975 where he was involved in the local Loft Jazz scene. In 1983, he established the New York chapter of the Association for the Advancement of Creative Musicians.
In the 1970s, Abrams composed for symphony orchestras, string quartets, solo piano, voice, and big bands in addition to making a series of larger ensemble recordings that included harp and accordion.[4] He is a widely influential artist, having played sides for many musicians early in his career, releasing important recordings as a leader, and writing classical works such as his "String Quartet No. 2", which was performed by the Kronos Quartet, on November 22, 1985, at the Carnegie Recital Hall in New York.[5] He has recorded extensively under his own name (frequently on the Black Saint label) and as a sideman on others' records. Notably regarding the latter he has recorded with Anthony Braxton Duets 1976 on Arista Records, Marion Brown and Chico Freeman.
Later career[edit]
He has recorded and toured the United States, Canada and Europe with his orchestra, sextet, quartet, duo and as a solo pianist. His musical affiliations is a "who's who" of the jazz world, including Roach, Gordon,Eddie "Lockjaw" Davis, Art Farmer, Sonny Stitt, Braxton, The Art Ensemble of Chicago, Harris and many others. In 1990 Abrams won the Jazzpar Prize, an annual Danish prize within jazz. In 1997 he was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award. In May 2009 the National Endowment for the Arts announced that Abrams would be one of the recipients of the 2010 NEA Jazz MastersAward.[6] In June 2010, Abrams was given the Lifetime Achievement Award by New York City's premier jazz festival, known as the Vision Festival.[7][8]
Discography[edit]
As leader[edit]
| Year | Title | Label |
|---|---|---|
| 1967 | Levels and Degrees of Light | Delmark |
| 1969 | Young at Heart/Wise in Time | Delmark |
| 1975 | Things to Come from Those Now Gone | Delmark |
| 1975 | Afrisong | India Navigation/Whynot Records |
| 1976 | Sightsong | Black Saint |
| 1977 | 1-OQA+19 | Black Saint |
| 1978 | Lifea Blinec | Novus |
| 1978 | Spiral Live at Montreux 1978 | Novus |
| 1979 | Spihumonesty | Black Saint |
| 1980 | Mama and Daddy | Black Saint |
| 1981 | Duet with Amina Claudine Myers | Black Saint |
| 1982 | Blues Forever | Black Saint |
| 1983 | Rejoicing with the Light | Black Saint |
| 1985 | View from Within | Black Saint |
| 1986 | Roots of Blue with Cecil McBee | RPR |
| 1987 | Colors in Thirty-Third | Black Saint |
| 1989 | The Hearinga Suite | Black Saint |
| 1991 | Blu Blu Blu | Black Saint |
| 1993 | Family Talk | Black Saint |
| 1995 | Think All, Focus One | Black Saint |
| 1997 | Song for All | Black Saint |
| 1996 | One Line, Two Views | New World |
| 1997 | The Open Air Meeting (Live) with Marty Ehrlich | New World |
| 2001 | The Visibility of Thought | Mutable Music |
| 2005 | Streaming with George Lewis | Pi Recordings |
| 2007 | Vision Towards Essence (Live) | Pi Recordings |
| 2010 | Spectrum with Roscoe Mitchell | Mutable Music |
As sideman[edit]
With Walter Perkins MJT+3
- Daddy-O Presents MJT+3 (1957)
With Roscoe Mitchell
- Nonaah (1967)
- Roscoe Mitchell Quartet (1975)
- Duets and Solos (1990)
With Joseph Jarman
- As If It Were the Seasons (1968)
With Anthony Braxton
- Three Compositions of New Jazz (1968)
- Creative Orchestra Music 1976 (Arista, 1976)
- Duets 1976 (1976)
- Quintet (Basel) 1977 (hatOLOGY, 1977 [2000])
- Creative Construction Company (Muse Records, 1970)
- CCC, Vol. 2 (Muse, 1971)
- Muhal (1977)
With Kenny Dorham
- Kenny Dorham Sextet (1970)
With Eddie Harris
- Instant Death (Atlantic, 1971)
- Eddie Harris Sings the Blues (Atlantic, 1972)
- Excursions (Atlantic, 1973)
- That Is Why You're Overweight (Atlantic, 1975)
- Fanfare for the Warriors (Atlantic, 1974)
- Kabalaba (AECO, 1978)
With Marion Brown
- Sweet Earth Flying (Impulse!, 1974)
With Robin Kenyatta
- Beggars and Stealers (1977)
With Chico Freeman
- Morning Prayer (1976)
- Chico (1977)
- Freeman & Freeman (1981)
With Woody Shaw
- The Iron Men with Anthony Braxton (Muse, 1977 [1980])
With Leroy Jenkins
- Lifelong Ambitions (Black Saint, 1977)
With George Lewis
- Shadowgraph 5 (1977)
With Barry Altschul
- You Can't Name Your Own Tune (1977)
With Clifford Jordan
- Inward Fire (Muse, 1978)
With Marty Ehrlich
- Emergency Peace (1990)
With Hamiet Bluiett
- Saying Something for All (1998)
_________________________________________________________________________________
Muhal Richard Abrams (born September 19, 1930, in Chicago, Illinois) is an American educator, administrator, composer, arranger, clarinetist, cellist, and jazz pianist in the free jazz medium.
Abrams attended DuSable High School in Chicago. By 1946, he enrolled in music classes at Roosevelt University, but did not stay. He then decided to study independently. The books of Joseph Schillinger were very influential in Abrams' development.
Abrams' first gigs were playing the blues, R&B, and hard bop circuit in Chicago and working as a sideman with everyone from Dexter Gordon and Max Roach to Ruth Brown and Woody Shaw. In 1950 he began writing arrangements for the King Fleming Band, and in 1955 played in the hard-bop band Modern Jazz Two + Three, with tenor saxophonist Eddie Harris. After this group folded he kept a low profile until he organized the Experimental Band in 1962, a contrast to his earlier hard bop venture in its use of free jazz concepts. This band, with its fluctuating lineup, evolved into the Association for the Advancement of Creative Musicians (AACM), emerging in May 1965 with Abrams as its president. Rather than playing in smoky night clubs, AACM members often rented out theaters and lofts where they could perform for attentive and open-minded audiences. The album Levels and Degrees of Light (1967) was the landmark first recording under Abrams' leadership. On this set, Abrams was joined by the saxophonists Anthony Braxton, Maurice McIntyre, vibraphonist Gordon Emmanuel, violinist Leroy Jenkins, bassist Leonard Jones and vocalist Penelope Taylor. Abrams also played with saxophonists Eddie Harris, Gordon, and other more bop-oriented musicians during this era.
Abrams moved to New York permanently in 1975 where he was involved in the local Loft Jazz scene. In 1983, he established the New York chapter of the Association for the Advancement of Creative Musicians.
In the 1970s, Abrams composed for symphony orchestras, string quartets, solo piano, voice, and big bands in addition to making a series of larger ensemble recordings that included harp and accordion. He is a widely influential artist, having played sides for many musicians early in his career, releasing important recordings as a leader, and writing classical works such as his "String Quartet No. 2", which was performed by the Kronos Quartet, on November 22, 1985, at the Carnegie Recital Hall in New York. He has recorded extensively under his own name (frequently on the Black Saint label) and as a sideman on others' records. Notably regarding the latter he has recorded with Anthony Braxton (Duets 1976 on Arista Records), Marion Brown and Chico Freeman.
He has recorded and toured the United States, Canada and Europe with his orchestra, sextet, quartet, duo and as a solo pianist. His musical affiliations is a "who's who" of the jazz world, including Max Roach, Dexter Gordon, Eddie "Lockjaw" Davis, Art Farmer, Sonny Stitt, Anthony Braxton,The Art Ensemble of Chicago, Eddie Harris and many others. In 1990 Abrams won the Jazzpar Prize, an annual Danish prize within jazz. In 1997 he was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award. In May 2009 the National Endowment for the Arts announced that Abrams would be one of the recipients of the 2010 NEA Jazz Masters Award. In June 2010, Abrams was given the Lifetime Achievement Award by New York City's premier jazz festival, known as the Vision Festival,
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