Wednesday, July 27, 2022

A00009 - Taurean Blacque, Actor Best Known for "Hill Street Blues"

 

Taurean Blacque, Actor Best Known for ‘Hill Street Blues,’ Dies at 82

He received an Emmy nomination for his work as Detective Neal Washington, a character he strove to portray as something other than “that hip, jive Black man.”

Taurean Blacque as Detective Neal Washington on the NBC police drama “Hill Street Blues.”
Credit...Herb Ball/NBCU Photo Bank/NBCUniversal via Getty Image
Taurean Blacque as Detective Neal Washington on the NBC police drama “Hill Street Blues.”

Taurean Blacque, the actor best known for his Emmy-nominated performance as a detective on the critically acclaimed NBC drama series “Hill Street Blues,” died on Thursday in Atlanta. He was 82.

His family announced the death in a statement. It did not specify a cause, saying only that he died after a brief illness.

Mr. Blacque, who began his career as a stage actor in New York, had several television appearances under his belt when, in 1981, he landed his breakthrough role: the street-smart Detective Neal Washington on “Hill Street Blues,” which drew praise for its realistic portrayal of the day-to-day reality of police work and was nominated for 98 Emmy Awards in its seven seasons, winning 26.

The part of Washington, Mr. Blacque later recalled, was sketchily written, and it was his choice to play the character as quiet and reflective. “I think the original concept was that hip, jive Black man, you know,” he told TV Guide. “But I wanted to turn it around a little, give him some depth, not get into that stereotype.”

Mr. Blacque was nominated for a 1982 Primetime Emmy for best supporting actor in a drama series, but he lost to his fellow cast member Michael Conrad. (All the nominees in the category that year — the others were Charles Haid, Michael Warren and Bruce Weitz — were members of the “Hill Street Blues” cast.)

“Hill Street Blues” ended its run in 1987, and two years later Mr. Blacque starred with Vivica A. Fox and others on the NBC soap opera “Generations.” Probably the most racially diverse daytime drama of its era, “Generations” dealt with the relationship over the years between two Chicago families, one white and one Black. Mr. Blacque played the owner of a chain of ice cream parlors.

He later moved to Atlanta, where he was active on the local theater scene, appearing in productions of August Wilson’s “Jitney,” James Baldwin’s “The Amen Corner” and other plays. He was also involved in the National Black Theatre Festival in Winston-Salem, N.C.

Taurean Blacque was born Herbert Middleton Jr. on May 10, 1940, in Newark. His father was a dry cleaner, his mother a nurse.

He graduated from Arts High School in Newark but did not decide to pursue an acting career until he was almost 30 and working as a mail carrier. He enrolled at the American Musical and Dramatic Academy in New York in 1969 and, he told USA Today, “Once I found out that acting was my niche, I poured all my energies into it.”

He said he chose the stage name Taurean Blacque (Taurus was his astrological sign) in part as a way to get casting directors’ attention. Eventually, after several years of paying dues, he did.

Work in community theater in New York led to roles with the Negro Ensemble Company and eventually to Hollywood, where he landed guest roles on “Sanford and Son,” “Taxi,” “Charlie’s Angels,” “The Bob Newhart Show” and other TV series before being cast on “Hill Street Blues.”

In addition to being an actor, Mr. Blacque, who had two biological sons and adopted 11 other children, was an adoption advocate. He was the spokesman for the Los Angeles County adoption service. In 1989, President George Bush appointed him the national spokesman for adoption.

Mr. Blacque’s survivors include 12 children, 18 grandchildren and two great-grandchildren.


Wednesday, July 20, 2022

A00008 - Frederic Bruly Bouabre, Visionary Ivorian Artist

 Frédéric Bruly Bouabré, also known as Cheik Nadro (11 March 1923 – 28 January 2014),[1] was an Ivorian artist.

Bouabré was born in Zépréguhé, Ivory Coast, and was among the first Ivorians to be educated by the French colonial government. On 11 March 1948, he received a vision, which directly influenced much of his later work. Bouabré created many of his hundreds of small drawings while working as a clerk in various government offices. These drawings depict many different subjects, mostly drawn from local folklore; some also describe his own visions. All the drawings are part of a larger cycle, titled World Knowledge. Bouabré also created a 448-letter, universal Bété syllabary, which he used to transcribe the oral tradition of his people, the Bétés. His visual language is portrayed on some 1,000 small cards using ballpoint pens and crayons, with symbolic imagery surrounded by text, each carrying a unique divinatory message and comments on life and history.[2]

Many of Bouabré's drawings are in The Contemporary African Art Collection (CAAC) of Meshac Gaba. One of his emblematic drawings is saved in the L'appartement 22 collection on the African continent: "Une divine peinture relevée sur le corps d'une mandarine jaunie", made by Bouabré in 1994 in Abidjan.

  • 2022: Frédéric Bruly Bouabré: World Unbound, Museum of Modern Art, New York[3]
  • 2013: Venice BiennaleItaly.
  • 2012: Inventing the world: the artist as citizen, Biennale Bénin, Cotonou, Bénin.
  • 2010–2011: Tate Modern, London, UK
  • 2010: African Stories, Marrakech Art Fair, Marrakech
  • 2007: Frédéric Bruly Bouabré, Ikon Gallery, Birmingham, UK
  • 2007: Why Africa?Pinacoteca Giovanni e Marella Agnelli, Turin, Italy
  • 2006: 100% Africa, Guggenheim Museum, Bilbao, Spain
  • 2005: Arts of Africa, Grimaldi Forum, Monaco, France
  • 2004–2007: Africa Remix, the touring show started on 24 July 2004 at the Museum Kunst Palast in Düsseldorf (Germany), and travelled to the Hayward Gallery in London, the Centre Georges Pompidou in Paris and the Mori Art Museum in Tokyo.
  • 2003: Frédéric Bruly Bouabré, Musée Champollion, Figeac, France
  • 2002: Documenta 11, Kassel, Germany
  • 2001–2002: The Short Century was an exhibition held in Munich, Berlin, Chicago and New York, organised by a team headed by Nigerian curator Okwui Enwezor
  • 1996: Neue Kunst aus Africa, Haus der Kulturen der Welt, Berlin, Germania
  • 1995: Galerie des Cinq Continents, Musée des arts d’Afrique et d'Océanie, Paris, France
  • 1995: Dialogues de Paix, Palais des Nations, Geneve, Switzerland
  • 1994: Rencontres Africaines, the touring exhibition was shown at the Institut du Monde Arabe in Paris, Cidade do Cabo in Sud Africa, Museum Africa in Johannesburg and in Lisbon(Portugal).
  • 1994: World Envisioned, together with Alighiero Boetti, the exhibition hwas shown in DIA Center for the Arts in New York and American Center in Paris
  • 1993: Trésor de Voyage, Biennale di Venezia in Venice (Italy)
  • 1993: Azur, Fondation Cartier pour l'Art Contemporain in Jouy-en-Josas (France)
  • 1993: La Grande Vérité: les Astres Africains, Musée des Beaux-Arts in Nantes (France)
  • 1993: Grafolies, Biennale d’Abidjan in Abidjan (Ivory Coast)
  • 1992: A Visage Découvert, Fondation Cartier pour l'Art Contemporain in Jouy-en-Josas (France)
  • 1992: Oh Cet Echo!, Centre Culturel Suisse in Paris
  • 1992: Out of Africa, Saatchi Collection in London
  • 1992: L'Art dans la Cuisine, St. Gallen in Sweden
  • 1992: Resistances, Watari-Um for Contemporary Art, in Tokyo
  • 1991: Africa Hoy/Africa Now, the touring exhibition has shown in Centro de Arte Moderno in Las Palmas de Gran Canaria (Spain), Gröninger Museum in Groningen (Netherlands), Centro de arte Contemporaneo in Mexico City
  • 1989: Magiciens de la Terre, Centre Georges Pompidou and Grande halle de la Villette in Paris
  • 1989: Waaah! Far African Art, Courtrai in Belgium
  • 1986: L'Afrique e la Lettre, Centre Culturel Français, Lagos in Nigeria

Wednesday, July 13, 2022

A00007 - Adam Wade, Network Game Show MC

 

Adam Wade, Network Game Show Pioneer, Is Dead at 87

As a singer, he had three Top 10 hits in 1961. As an actor, he had a long career in film and on television. As an M.C., he broke a racial barrier.

Adam Wade in 1975. An accomplished singer and actor, he made history that year when he became network television’s first Black game show host.
Credit...Everett Collection
Adam Wade in 1975. An accomplished singer and actor, he made history that year when he became network television’s first Black game show host.

Adam Wade, a versatile, velvet-voiced crooner who scored three consecutive Billboard Top 10 hits in a single year, appeared in scores of films, plays and TV productions, and in 1975 became the first Black host of a network television game show, died on Thursday at his home in Montclair, N.J. He was 87.

His wife, Jeree Wade, a singer, actress and producer, said the cause was complications of Parkinson’s disease.

In May 1975, CBS announced that it would break a network television racial barrier by naming Mr. Wade the master of ceremonies of a weekly afternoon game show, “Musical Chairs.”

Staged at the Ed Sullivan Theater in Manhattan and co-produced by the music impresario Don Kirshner, the program featured guest musical performances, with four contestants competing to complete the lyrics of songs and respond to questions about music. (Among the guest performers were groups like the Spinners and singers like Irene Cara.)

The novelty of a Black M.C. was not universally embraced: A CBS affiliate in Alabama refused to carry the show, and hate mail poured in — including, Mr. Wade told Connecticut Public Radio in 2014, a letter from a man “saying he didn’t want his wife sitting at home watching the Black guy hand out the money and the smarts.”

The show was canceled after less than five months. Still, Mr. Wade said, “It probably added 30 years to my career.”

That career began while he was working as a laboratory technician for Dr. Jonas E. Salk, the developer of the polio vaccine, and a songwriter friend invited him to New York to audition for a music publisher. He first recorded for Coed Records in 1958 and two years later moved to Manhattan, where he performed with the singer Freddy Cole, the brother of his idol Nat King Cole, and, rapidly ascending the show business ladder, opened for Tony Bennett and for the comedian Joe E. Lewis at the fashionable Copacabana nightclub.

“Two years ago, he was Patrick Henry Wade, a $65-a-week aide on virus research experiments in the laboratory of Dr. Jonas E. Salk at the University of Pittsburgh,” The New York Times wrote in 1961. “Today he is Adam Wade, one of the country’s rising young singers in nightclubs and on records.”

That same year, he recorded three songs that soared to the upper echelons of the Billboard Hot 100 chart: “Take Good Care of Her” (which reached No. 7), “The Writing on the Wall” (No. 5) and “As if I Didn’t Know” (No. 10).

Patrick Henry Wade was born on March 17, 1935, in Pittsburgh to Pauline Simpson and Henry Oliver Wade Jr. He was raised by his grandparents, Henry Wade, a janitor at the Mellon Institute of Industrial Research (now part of Carnegie Mellon University), and Helen Wade.

He attended Virginia State University on a basketball scholarship, but, although he had dreamed of playing for the Harlem Globetrotters, dropped out after three years and went to work at Dr. Salk’s laboratory at the University of Pittsburgh. Undecided about whether to accept the recording contract that Coed offered, Mr. Wade consulted Dr. Salk.

“He told me he had this opportunity,” Dr. Salk told The Times at the time. “I told him he must search his own soul to find out what is in him that wants to come out.”

He changed his first name — because his agent said there were too many Pats in show business — and had his first hit with the song “Ruby” early in 1960. His smooth vocal style was often compared to that of Johnny Mathis, but Mr. Wade said he was primarily influenced by an earlier boyhood idol, Nat King Cole.

“So I guess that tells you how good my imitating skills were,” he said.

He appeared on TV on soap operas including “The Guiding Light” and “Search for Tomorrow” and sitcoms including “The Jeffersons” and “Sanford & Son.” He was also seen in “Shaft” (1971), “Come Back Charleston Blue” (1972) and other films, and onstage in a 2008 touring company of “The Color Purple.”

He and his wife ran Songbird, a company that produced African American historical revues, including the musical “Shades of Harlem,” which was staged Off Broadway at the Village Gate in 1983.

The couple last performed at an anniversary party this year.

In addition to Ms. Wade, whom he married in 1989, he is survived by their son, Jamel, a documentary filmmaker; three children, Sheldon Wade, Patrice Johnson Wade and Michael Wade, from his marriage to Kay Wade, which ended in 1973; and several grandchildren and great-grandchildren.

For all his success in show business, Mr. Wade said he was particularly proud that 40 years after dropping out of college he earned a bachelor’s degree from Lehman College and a master’s in theater history and criticism from Brooklyn College, both constituents of the City University of New York. He taught speech and theater at Long Island University and at Bloomfield College in New Jersey.

“I was the first one in my family to go to college,” he told Connecticut Public Radio. “I promised my grandmother back then that I would finish college someday. Many years later, I kept that promise.”